The sweeping form of the Curve is transformed with a dramatic installation – encompassing a mural, film commission, sculptures, and a series of live and recorded performances – to consider how a city and its people might address the process of reinvention following disaster. Barrada takes as her starting point a surreal text by Mohammed Khaïr-Eddine – Agadir (1967) – reflecting on the devastating earthquake of 1960 that destroyed much of the modernist Moroccan city.
Over the past two decades, Barrada’s multimedia practice has explored questions ranging from migration to abstraction, from fossils to botany, examining the strategies of resistance employed every day in her native Morocco.
For more information: Barbican Centre
